Chess Strategy

Chess Strategy

By

3
(1 Review)
Chess Strategy by Edward Lasker

Published:

1915

Pages:

308

ISBN:

0486205282

Downloads:

26,304

Share This

Chess Strategy

By

3
(1 Review)

Book Excerpt

1. ... K-Q3
2. P-B3 K-B3
3. K-B4 and wins.

This settles all typical end-games of King and pawn against King. There is, however, one exception to the rules set out, namely, when a ROOK'S PAWN is concerned. Here the isolated King always succeeds in drawing if he can reach the corner where the pawn has to queen, for he cannot be driven out again. The Rook's pawn affords another opportunity for the weaker side to draw. Diagram 55 will illustrate this, and similar positions are of frequent occurrence in practice. Here Black draws with 1. ... K-B5. As he threatens to capture the pawn, White must play 2. P-R4. Then after the reply K-B4, White is still unable to cut the opponent off from the corner with K-Kt7, as the loss of the pawn is still threatened through K-Kt5. And after 3. P-R5 Black attains the position which is typical for this end-game, namely the opposition against the King on the Rook's file. The latter cannot escape without giving up the contested corner, and the game is drawn. 3. ... K-B3; 4. K-R7, K-B2; 5. K-R8, K-B1; 6. P-R6, K-B2; 7. P-R7, K-B1: and White is stalemated.

--------------------------------------- 8 | | | | | | | | | |---------------------------------------| 7 | | | | | | | | | |---------------------------------------| 6 | ^K | | | | | | | | |---------------------------------------| 5 | | | | | | | | | |---------------------------------------| 4 | | | | | | | | | |---------------------------------------| 3 | | | | #K | | | | | |---------------------------------------| 2 | ^P | | | | | | | | |---------------------------------------| 1 | | | | | | | | | --------------------------------------- A B C D E F G H

Diag. 55

FREE EBOOKS AND DEALS

(view all)
Anna Stuart - Heart-Wrenching WW2 Historical Fiction
FEATURED AUTHOR - Anna Stuart wanted to be an author from the moment she could pick up a pen and was writing boarding-school novels by the age of nine. She made the early mistake of thinking she ought to get a ‘proper job’ and went into Factory Planning—a career that provided her with wonderful experiences, amazing friends, and even a fantastic husband, but didn’t offer much creative scope. When she stopped having children, she took the chance to start the ‘improper job’ of writing.