Essays and Tales, page 109 by Joseph Addison

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110

bienseance in an allusion has been found out of later years, and in the colder regions of the world, where we could make some amends for our want of force and spirit by a scrupulous nicety and exactness in our compositions. Our countryman Shakespeare was a remarkable instance of this first kind of great geniuses.

I cannot quit this head without observing that Pindar was a great genius of the first class, who was hurried on by a natural fire and impetuosity to vast conceptions of things and noble sallies of imagination. At the same time can anything be more ridiculous than for men of a sober and moderate fancy to imitate this poet's way of writing in those monstrous compositions which go among us under the name of Pindarics? When I see people copying works which, as Horace has represented them, are singular in their kind, and inimitable; when I see men following irregularities by rule, and by the little tricks of art straining after the most unbounded flights of nature, I cannot but apply to them that passage in Terence:

- Incerta haec si tu postules Ratione certa facere, nihilo plus agas Quam si des operam, ut cum ratione insanias. Eun., Act I., Sc. 1, I. 16.

You may as well pretend to be mad and in your senses at the same time, as to think of reducing these uncertain things to any certainty by reason.

In short, a modern Pindaric writer compared with Pindar is like a sister among the Camisars compared with Virgil's Sibyl; there is the distortion, grimace, and outward figure, but nothing of that divine impulse which raises the mind above itself, and makes the sounds more than human.

There is another kind of great geniuses which I shall place in a second class, not as I think them inferior to the first, but only for distinction's sake, as they are of a different kind. This second class of great geniuses are those that have formed themselves by rules, and submitted the greatness of their natural talents to the corrections and restraints of art. Such among the Greeks were Plato and

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