Falling in Love, page 109 by Grant Allen

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110

ay to the immeasurably earlier fire-split flints which the Abbé Bourgeois--undaunted mortal!--ventured to discover among the Miocene strata of the calcaire de Beauce. Those flints, if of human origin at all, were fashioned by some naked and still more hairy creature who might fairly claim to be considered as genuinely primitive. So rude are they that, though evidently artificial, one distinguished archæologist will not admit they can be in any way human; he will have it that they were really the handiwork of the great European anthropoid ape of that early period. This, however, is nothing more than very delicate hair-splitting; for what does it matter whether you call the animal that fashioned these exceedingly rough and fire-marked implements a man-like ape or an ape-like human being? The fact remains quite unaltered, whichever name you choose to give to it. When you have got to a monkey who can light a fire and proceed to manufacture himself a convenient implement, you may be sure that man, noble man, with all his glorious and admirable faculties--cannibal or otherwise--is lurking somewhere very close just round the corner. The more we examine the work of our old master, in fact, the more does the conviction force itself upon us that he was very far indeed from being primitive--that we must push back the early history of our race not for 250,000 winters alone, but perhaps for two or three million years into the dim past of Tertiary ages.

But if pre-Glacial man is thus separated from the origin of the race by a very long interval indeed, it is none the less true that he is separated from our own time by the intervention of a vast blank space, the space occupied by the coming on and passing away of the Glacial Epoch. A great gap cuts him off from what we may consider as the relatively modern age of the mound-builders, whose grassy barrows still cap the summits of our southern chalk downs. When the great ice sheet drove away palæolithic man--the man of the caves and the unwroug

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