The Eleven Comedies, vol 1, page 158 by Aristophanes
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usimachus from [Greek: klaein] and [Greek: mache], the tears that battles cost. The same root, [Greek: mache], battle, is also contained in the name Lamachus.
[389] A distich borrowed from Archilochus, a celebrated poet of the seventh century B.C., born at Paros, and the author of odes, satires, epigrams and elegies. He sang his own shame. 'Twas in an expedition against Saïs, not the town in Egypt as the similarity in name might lead one to believe, but in Thrace, that he had cast away his buckler. "A mighty calamity truly!" he says without shame. "I shall buy another."
LYSISTRATA
INTRODUCTION
The 'Lysistrata,' the third and concluding play of the War and Peace series, was not produced till ten years later than its predecessor, the 'Peace,' viz. in 411 B.C. It is now the twenty-first year of the War, and there seems as little prospect of peace as ever. A desperate state of things demands a desperate remedy, and the Poet proceeds to suggest a burlesque solution of the difficulty.
The women of Athens, led by Lysistrata and supported by female delegates from the other states of Hellas, determine to take matters into their own hands and force the men to stop the War. They meet in solemn conclave, and Lysistrata expounds her scheme, the rigorous application to husbands and lovers of a self-denying ordinance--"we must refrain from the male organ altogether." Every wife and mistress is to refuse all sexual favours whatsoever, till the men have come to terms of peace. In cases where the women must yield 'par force majeure,' then it is to be with an ill grace and in such a way as to afford the minimum of gratification to their partner; they are to lie passive and take no more part in the amorous game than they are absolutely obliged to. By these means Lysistrata assures them they will very soon gain their end. "If we sit indoors prettily dressed out in our best transparent silks and prettiest gewgaws, and with our 'mottes' all nicely depilated, the