The Eleven Comedies, vol 1, page 8 by Aristophanes

<< Return to Title Details & Download

 < previous  next > 

9

trace of these things? A sensual and poetic type of religion, Paganism was accepted at Athens only by the imagination, not by the reason; its ceremonies were duly performed, without any real piety touching the heart. Thus the audience felt no call to champion the cause of their deities when held up to ribaldry on the open stage; they left them to defend themselves--if they could.

Thus Aristophanes, we see, covered the whole field of thought; he scourged whatever was vicious or ridiculous, whether before the altars of the Gods, in the schools of the Sophists, or on the Orators' platform. But the wider the duty he undertook, the harder it became to fulfil this duty adequately. How satisfy a public made up of so many and such diverse elements, so sharply contrasted by birth, fortune, education, opinion, interest? How hold sway over a body of spectators, who were at the same time judges? To succeed in the task he was bound to be master of all styles of diction--at one and the same time a dainty poet and a diverting buffoon. It is just this universality of genius, this combination of the most eminent and various qualities, that has won Aristophanes a place apart among satirists; and if it be true to say that well-written works never die, the style alone of his Comedies would have assured their immortality.

No writer, indeed, has been more pre-eminent in that simple, clear, precise, elegant diction that is the peculiar glory of Attic literature, the brilliant yet concise quality of which the authors of no other Greek city were quite able to attain. He shows, each in its due turn, vigour and suppleness of language, he exercises a sure and spontaneous choice of correct terms, the proper combination of harmonious phrases, he goes straight to his object, he aims well and hits hard, even when he seems to be merely grazing the surface. Under his apparent negligence lies concealed the high perfection of accomplished art. This applies to the dialogues. In the choruses, Aristophanes speaks the tongue of Pindar a

 < previous  next >