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and purchase them. Their first-born was named Mary, and her complexion was still lighter than her mother. Indeed she was not darker than other white children. As the child grew older, it more and more resembled its mother. The iris of her large dark eye had the melting mezzotints, which remains the last vestige of African ancestry, and gives that plaintive expression, so often observed, and so appropriate to that docile and injured race. Clotel was still happier after the birth of her dear child; for Horatio, as might have been expected, was often absent day and night with his friends in the city, and the edicts of society had built up a wall of separation between the quadroon and them. Happy as Clotel was in Horatio's love, and surrounded by an outward environment of beauty, so well adapted to her poetic spirit, she felt these incidents with inexpressible pain. For herself she cared but little; for she had found a sheltered home in Horatio's heart, which the world might ridicule, but had no power to profane. But when she looked at her beloved Mary, and reflected upon the unavoidable and dangerous position which the tyranny of society had awarded her, her soul was filled with anguish. The rare loveliness of the child increased daily, and was evidently ripening into most marvellous beauty. The father seemed to rejoice in it with unmingled pride; but in the deep tenderness of the mother's eye, there was an indwelling sadness that spoke of anxious thoughts and fearful foreboding. Clotel now urged Horatio to remove to France or England, where both her [sic] and her child would be free, and where colour was not a crime. This request excited but little opposition, and was so attractive to his imagination, that he might have overcome all intervening obstacles, had not "a change come over the spirit of his dreams." He still loved Clotel; but he was now becoming engaged in political and other affairs which kept him oftener and longer from the young mother; and ambition to become a statesman was slowly gaining the ascenda