Caruso and Tetrazzini on the Art of Singing, page 9 by Enrico Caruso
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10
of tone without the attack coming from this seat of respiration.
In practicing the trill or staccato tones the pressure of the breath must be felt even before the sound is heard. The beautiful, clear, bell-like tones that die away into a soft piano are tones struck on the apoggio and controlled by the steady soft pressure of the breath emitted through a perfectly open throat, over a low tongue and resounding in the cavities of the mouth or head.
Never for a moment sing without this apoggio, this breath prop. Its development and its constant use mean the restoration of sick or fatigued voices and the prolonging of all one's vocal powers into what is wrongly called old age.
The Mastery of the Tongue
The tongue is a veritable stumbling block in the path of the singer. The tongue is an enormous muscle compared with the other parts of the throat and mouth, and its roots particularly can by a slight movement block the passage of the throat pressing against the larynx. This accounts for much of the pinched singing we hear.
When the tongue forms a mountain in the back part of the mouth the singer produces what you call in English slang "a hot potato tone"--that is to say, a tone that sounds as if it were having much difficulty to get through the mouth. In very fact, it is having this difficulty, for it has to pass over the back of the tongue.
The would-be singer has to learn to control the tongue muscles and, above all things, to learn to relax the tongue and to govern it at will, so that it never stiffens and forms that hard lump which can be plainly felt immediately beneath the chin under the jaw.
It requires a great deal of practice to gain control of the tongue, and there are many different exercises which purport to be beneficial in gaining complete mastery over it. One, for instance, is to throw the tongue out as far forward as possible without stiffening it and then draw it back slowly. This can be done in front of a mirror by trying to throw the tongue not on