Aesthetic as Science of Expression and General Linguistic, page 149 by Benedetto Croce
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c of a certain region, and on other instruments employed, be of a religious or of a profane nature. But the arrest of interpretation, as that of restoration, is never a definitely unsurmountable barrier; and the daily discoveries of historical sources and of new methods of better exploiting antiquity, which we may hope to see ever improving, link up broken tradition.
We do not wish to deny that erroneous historical interpretation produces at times what we may term palimpsests, new expressions imposed upon the antique, artistic imaginings instead of historical reproductions. The so-called fascination of the past depends in part upon these expressions of ours, which we weave into historical expressions. Thus in hellenic plastic art has been discovered the calm and serene intuition of life of those peoples, who feel, nevertheless, so poignantly, the universality of sorrow; thus has recently been discerned on the faces of the Byzantine saints "the terror of the millennium," a terror which is an equivoke, or an artificial legend invented by modern scholars. But historical criticism tends precisely to circumscribe vain imaginings and to establish with exactitude the point of view from which we must look.
Thus we live in communication with other men of the present and of the past; and we must not conclude, because sometimes, and indeed often, we find ourselves face to face with the unknown or the badly known, that when we believe we are engaged in a dialogue, we are always speaking a monologue; nor that we are unable even to repeat the monologue which, in the past, we held with ourselves.
XVII
THE HISTORY OF LITERATURE AND ART
[Sidenote] Historical criticism in literature and art. Its importance.
This brief exposition of the method by which is obtained reintegration of the original conditions in which the work of art was produced, and by which reproduction and judgment are made possible, shows how important is the function fulfilled by hi