The Woodlanders, page 59 by Thomas Hardy

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60

mber-dealers, yeomen, farmers, villagers, and others; mostly woodland men, who on that account could afford to be curious in their walking-sticks, which consequently exhibited various monstrosities of vegetation, the chief being cork-screw shapes in black and white thorn, brought to that pattern by the slow torture of an encircling woodbine during their growth, as the Chinese have been said to mould human beings into grotesque toys by continued compression in infancy. Two women, wearing men's jackets on their gowns, conducted in the rear of the halting procession a pony-cart containing a tapped barrel of beer, from which they drew and replenished horns that were handed round, with bread-and-cheese from a basket.

The auctioneer adjusted himself to circumstances by using his walking-stick as a hammer, and knocked down the lot on any convenient object that took his fancy, such as the crown of a little boy's head, or the shoulders of a by-stander who had no business there except to taste the brew; a proceeding which would have been deemed humorous but for the air of stern rigidity which that auctioneer's face preserved, tending to show that the eccentricity was a result of that absence of mind which is engendered by the press of affairs, and no freak of fancy at all.

Mr. Melbury stood slightly apart from the rest of the Peripatetics, and Grace beside him, clinging closely to his arm, her modern attire looking almost odd where everything else was old-fashioned, and throwing over the familiar garniture of the trees a homeliness that seemed to demand improvement by the addition of a few contemporary novelties also. Grace seemed to regard the selling with the interest which attaches to memories revived after an interval of obliviousness.

Winterborne went and stood close to them; the timber-merchant spoke, and continued his buying; Grace merely smiled. To justify his presence there Winterborne began bidding for timber and fagots that he did not want, pursuing the occupation in an abstracted mood, i

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