Shakespeare, Bacon and the Great Unknown, page 131 by Andrew Lang
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d that in other cases the quarto is more correctly printed, or from a better manuscript than the Folio text, and therefore of higher authority." Hamlet, in the Folio of 1623, when it differs from the quarto of 1604, "differs for the worse in forty-seven places, while it differs for the better in twenty places."
Can the wit of man suggest any other explanation than that the editing of the Folio was carelessly done; out of the best quartos and MSS. in the theatre for acting purposes, and,--if the players did not lie in what they "often said," and if they kept the originals,--out of some MSS. received from Shakspere? Whether the two players themselves threw into the press, after some hasty botchings, whatever materials they had, or whether they employed an Editor, a very wretched Editor, or Editors, or whether the great Author, Bacon, himself was his own Editor, the preparation of a text was infamously done. The two actors, probably, I think, never read through the proof-sheets, and took the word of the man whom they employed to edit their materials, for gospel. The editing of the Folio is so exquisitely careless that twelve printer's errors in a quarto of 1622, of Richard III, appear in the Folio of 1623. Again, the Merry Wives of the Folio, is nearly twice as long as the quarto of 1619, yet keeps old errors.
How can we explain the reckless retention of errors, and also the large additions and improvements? Did the true author (Bacon or Bungay) now edit his work, add much matter, and go wrong forty-seven times where the quarto was right, and go right twenty times when the quarto was wrong? Did he, for the Folio of 1623, nearly double The Merry Wives in extent, and also leave all the errors of the fourth quarto uncorrected?
In that case how negligent was Bacon of his immortal works! Now Bacon was a scholar, and this absurd conduct cannot be imputed, I hope, to him.
Mr. Pollard is much more lenient than his fellow-scholars towards the Editor or Editors of the Folio. He concludes that "