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-passengers in the end never forgive the man who has "impressed" them. Mankind loves being impressed. It asks to be impressed. It almost forces those whom it can force to play a role and to make an impression. And afterwards, never forgives.
When the train ran into Bologna Station, they were still in the restaurant car. Nor did they go at once to their seats. Angus had paid the bill. There was three-quarters-of-an-hour's wait in Bologna.
"You may as well come down and sit with us," said Francis. "We've got nobody in our carriage, so why shouldn't we all stay together during the wait. You kept your own seat, I suppose."
No, he had forgotten. So when he went to look for it, it was occupied by a stout man who was just taking off his collar and wrapping a white kerchief round his neck. The third class carriages were packed. For those were early days after the war, while men still had pre-war notions and were poor. Ten months would steal imperceptibly by, and the mysterious revolution would be effected. Then, the second class and the first class would be packed, indescribably packed, crowded, on all great trains: and the third class carriages, lo and behold, would be comparatively empty. Oh, marvellous days of bankruptcy, when nobody will condescend to travel third!
However, these were still modest, sombre months immediately after the peace. So a large man with a fat neck and a white kerchief, and his collar over his knee, sat in Aaron's seat. Aaron looked at the man, and at his own luggage overhead. The fat man saw him looking and stared back: then stared also at the luggage overhead: and with his almost invisible north-Italian gesture said much plainer than words would have said it: "Go to hell. I'm here and I'm going to stop here."
There was something insolent and unbearable about the look--and about the rocky fixity of the large man. He sat as if he had insolently taken root in his seat. Aaron flushed slightly. Francis and Angus strolled along the train, outside, for the corridor