290
ces Back Together," Arizona Law Review 45 (2003): 373, 429 n. 241.
CHAPTER SIX
: FOUNDERS
1. Jacob Tonson is typically remembered for his associations with prominent eighteenth-century literary figures, especially John Dryden, and for his handsome "definitive editions" of classic works. In addition to Romeo and Juliet, he published an astonishing array of works that still remain at the heart of the English canon, including collected works of Shakespeare, Ben Jonson, John Milton, and John Dryden. See Keith Walker, "Jacob Tonson, Bookseller," American Scholar 61:3 (1992): 424-31.
2. Lyman Ray Patterson, Copyright in Historical Perspective (Nashville: Vanderbilt University Press, 1968), 151-52.
3. As Siva Vaidhyanathan nicely argues, it is erroneous to call this a "copy- right law." See Vaidhyanathan, Copyrights and Copywrongs, 40.
4. Philip Wittenberg, The Protection and Marketing of Literary Property (New York: J. Messner, Inc., 1937), 31.
5. A Letter to a Member of Parliament concerning the Bill now depending in the House of Commons, for making more effectual an Act in the Eighth Year of the Reign of Queen Anne, entitled, An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of such Copies, during the Times therein mentioned (London, 1735), in Brief Amici Curiae of Tyler T. Ochoa et al., 8, Eldred v. Ashcroft, 537 U.S. 186 (2003) (No. 01-618).
6. Lyman Ray Patterson, "Free Speech, Copyright, and Fair Use," Vanderbilt Law Review 40 (1987): 28. For a wonderfully compelling account, see Vaidhyanathan, 37-48.
7. For a compelling account, see David Saunders, Authorship and Copyright (London: Routledge, 1992), 62-69.
8. Mark Rose, Authors and Owners (Cambridge: Harvard University Press, 1993), 92.
9. Ibid., 93.
10. Lyman Ray Pat
