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ts surviving to our day) who buy it as a book no gentleman's library can be complete without; we see the spend-thrift heir, whose horses and hounds and Pharaonic troops of friends, drowned in a Red Sea of claret, bring it to the hammer, the tall octavo in tree-calf following the ancestral oaks of the park. Such a volume is sacred to us. But it must be the original foundling of the book-stall, the engraved blazon of some extinct baronetcy within its cover, its leaves enshrining memorial flowers of some passion which the church-yard smothered while the Stuarts were yet unkinged, suggestive of the trail of laced ruffles, burnt here and there with ashes from the pipe of some dozing poet, its binding worn and weather-stained, that has felt the inquisitive finger, perhaps, of Malone, or thrilled to the touch of Lamb, doubtful between desire and the odd sixpence. When it comes to a question of reprinting, we are more choice. The new duodecimo is bald and bare, indeed, compared with its battered prototype that could draw us with a single hair of association.
It is not easy to divine the rule which has governed Mr. Smith in making the selections for his series. A choice of old authors should be a _florilegium_, and not a botanist's _hortus siccus_, to which grasses are as important as the single shy blossom of a summer. The old-maidenly genius of antiquarianism seems to have presided over the editing of the "Library." We should be inclined to surmise that the works to be reprinted had been commonly suggested by gentlemen with whom they were especial favorites, or who were ambitious that their own names should be signalized on the title-pages with the suffix of EDITOR. The volumes already published are: Increase Mather's "Remarkable Providences"; the poems of Drummond of Hawthornden; the "Visions" of Piers Ploughman; the works in prose and verse of Sir Thomas Overbury; the "Hymns and Songs" and the "Hallelujah" of George Wither; the poems of Southwell; Selden's "Table-talk"; the "Enchiridion" of Quarles; the dramat