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ll to remembrance the church my childhood knew, with its capacious square pews, in which half the audience turned their backs upon the minister; the seats made to rise and fall, for the convenience of standing, and which closed every prayer with a clap of thunder; its many aisles, like streets and lanes; the old men's seats, and the queer but venerable figures that were seen in them,--some with black-silk caps to protect their bald heads from the freezing draughts of air from the porchless doors; the old women's seats, on the opposite side; the elevated row of pews round the sides of the church, and the envied position of certain little children who had an extensive prospect through the open pew-top within doors, and a view of the hay-scales and the town-pump through the window besides. Those windows, in a double row, with the gallery between,--how regularly I counted the small panes, always forgetting the number, to make the same weary task necessary every Sunday! The singing-seats, projecting from the central portion of the gallery, furnished me with another hebdomadal study, in large gilt letters of antique awkwardness, which so impressed themselves on my mind that I see them now. This was the golden legend: "BUILT, 1770. ENLARGED, 1795." I remember hearing a wag propose to add as another remarkable fact, "SCOURED, 1818."
Opposite to the singing-seats towered the pulpit, from which the clergyman looked down upon us like a sparrow upon the house-top. He seemed in perpetual danger of being extinguished by a huge
sounding-board. Very earnestly I used to gaze at the slender point by which it hung suspended, and wished, if it must come down, that I might make the gilt ornament at the apex, resembling a vase turned upside down, my prize. Under the pulpit was a closet, which some one veraciously assured me was the place where the tithingman imprisoned incautiously playful urchins. The terrors of that dark, mysterious cell had little effect on my conduct, however, as I was not entirely convinced of