The Continental Monthly, Vol. 2, No. 2, August, 1862, page 89 by Various Authors
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pistol, which he still grasped in his hand. Though insensible, it was discovered that the Countess was not quite dead. A surgeon was soon obtained, and on examination it was discovered that though her wound was a terrible one--three buck-shot and one large bullet having entered her breast--yet there was some hope for her. After incredible suffering and long confinement, she recovered; though to the day of her death she will feel the effects of the terrible wound, to which was added the mutilation of her hand, which caught the bullet.
The causes and circumstances of that tragedy were never unveiled to the world. Nor is there any great desire to penetrate the mystery. The Countess got well, and continued her fashionable life, appropriating a large portion of her great rental in New-Orleans to the purchase of property and the improvement of her elegant hotel in Paris. The Revolution of 1830 found the Countess a fierce Bourboniste, and produced such apprehension of confiscation, and danger to her life and liberty, that she concluded to return to New-Orleans. Here she found that her property had greatly augmented in value, and after a short sojourn in her native city, discovering that Louis Philippe's dynasty was an unproscriptive one, she returned to Paris, where she resided until the Revolution of 1848 again filled her with alarm for her large possessions. Beside, she was well known to be a conspicuous Legitimiste of the party of Henry V. Again she returned to New-Orleans, full of horror of Red Republicanism and Socialism, and with disgust for the fickleness of the French.
Directing her attention, with characteristic energy and ardor, to the improvement of her property which incloses Jackson Square, the principal public place in New-Orleans, she built some forty elegant houses, and then assuming the government of the municipality, she succeeded in inducing the authorities to cut down the old trees on the square, and to have it laid off in the parterre style. The 'Woodman spare that tree' sentiment stro