The Continental Monthly, Vol. 6, No 4, August, 1864, page 209 by Various Authors

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210

r to bring agony and shame to a peaceful home by disclosing his return. He does this in a spirit of Christian self-abnegation, lives near the unconscious darlings of his heart, earns his frugal living, watching round, but never entering the lost Paradise of his youth. He dies, and only at the hour of death, reveals to Annie how he had lived and loved. The theme of this tale has often been taken before. It has been elaborated with passion and power in the 'Homeward Bound' of Adelaide Procter, a poetess too little known among us.

There is great purity of delineation and conception in Enoch Arden. The characters stand out real and palpable in their statuesque simplicity. There is agony enough, but neither impatience nor sin. The epithets are well chosen; but the usual wildering sensuousness of Tennyson's glowing imagery is subdued and tender throughout the progress of this melancholy tale.

'Aylmer's Field,' about the same length, is a poem of more stormy mould. It hurls fierce rebukes at family pride, and just censures at tyrannical parents.

The volume contains many shorter poems, some of which are already familiar to our readers.

AZARIAN: An Episode. By HARRIET ELIZABETH PRESCOTT, Author of 'The Amber Gods,' etc. Boston: Ticknor & Fields.

We like 'Azarian' better than any work we have yet seen from Miss Prescott. Ruth Yetton, the heroine, is so truly feminine, she might serve as a type of half our innocent maidens from sixteen to twenty. Azarian is real and drawn to the life, a hero who has his counterpart in every civilized city; a man of savoir-vivre, glittering and attractive, but selfish, inconsequent, frivolous, and deadly to the peace of those who love him. Miss Prescott's style is elaborate and florid, frequently of rare beauty, always giving evidence of culture and scholarship. Do we find fault with the hundred-leaved rose? Her fancy is luxuriant, of more power than her imagination. Her descriptions of flowers in the volume before us are accurate and

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