The Atlantic Monthly, Volume 18, No. 108, October, 1866, page 109 by Various Authors
<< Return to Title Details & Download110
to me to try a new process, in order to reproduce this exceedingly fine grain-work, believed hitherto impossible to be even distantly imitated by modern gold-workers. I immediately commenced the new experiments, and the results were sufficiently satisfactory to enable me to say, at present, that the problem is nearly solved which for almost twenty years has defied us."
And even now Castellani's best grain-work is far from equalling in delicacy and perfection of workmanship some of the antiques in his own collection.
Our Scarabæus has got into magnificent company, and modern taste finds that he deserved it; and certainly, me judice, nothing can be more purely artistic than a fine Scarabæus, and the fascination that comes over whoever has ventured to dabble in that kind of wares is as dangerous as the chances of play. Be content with a single one! If you once get into comparison, you have abandoned yourself to the witchery of the unknown and unattainable perfection.
Engraved gems or simple intaglios in pietra dura seem to belong to Greek art rather than Etruscan. The style of finishing the stone was more in accordance with the simple and elegant ideal of the Greek intellect. The intaglio was all to the Greek artist, and anything more was labor worse than wasted. His intaglio ceased to be ornamentation, and passed into the category of ideal work. And there are intaglii of Greek workmanship which are as lovely as it is possible to conceive anything,--all the spirit and perfect proportion of the antique sculpture concentrated in an oval, an inch by three quarters of an inch, executed with a delicacy which defies the naked eye to measure it!
A critical study of gems is an affair of years; yet, so far as all principles of design are concerned or characteristics of art, we may always consider the intaglii with the sculpture of the same epoch. The spirit and manner and perfections are the same. The first are, of course, the Greek; and a fine example is rarely found