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who made an audience. In the front row sat the strange spinster, Miss Nairn, a thin, sharp nosed woman of fifty, in rusty black clothes, holding her head high; not far from her the dubious publican who had been Maurice Barron's companion on a certain walk some days before. There too were Hugh and Rose Flaxman. And just as the proceedings were about to begin, Henry Barron opened the heavy door, hat in hand, came in with a firm step, and took a seat at the back, while a thrill of excitement went through the room.
It was an ancient room, near the church, and built like it, of red sandstone. It had been once the tiny grammar school of the village. Meynell had restored and adapted it, keeping still its old features--the low ceiling heavily beamed with oak, and the row of desks inscribed with the scholars' names of three centuries. Against the background of its white walls he stood thrown out in strong relief by the oil lamp on the table in front of him, his eyes travelling over the rows of familiar faces.
He spoke first of the new Liturgy of which copies had been placed on the seats. He reminded them they were all--or nearly all--comrades with him in the great Modernist venture; that they had given him the help of their approval and support at every step, and were now rebels with him against the authorities of the day. He pointed to his approaching trial, and the probability--nay the certainty--of his deprivation. He asked them to be steadfast with him, and he dwelt on the amazing spread of the Movement, the immense responsibility resting upon its first leaders and disciples, and the need for gentleness and charity. The room was hushed in silence.
Next, he proceeded to put the adoption of the new Liturgy to the vote. Suddenly Barron rose from his seat at the back. Meynell paused. The audience looked in suppressed excitement from one to the other.
"I regret," said the Rector, courteously, "that we cannot hear Mr. Barron at this moment. He is not a member of the Church Council. When the proc