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tue there is a close resemblance, or as close as we usually see between two heads of Cæsar, or of Cicero. Marble, however, is the only material that suits the character and office of Jesus of Nazareth. Color, and its minute effects, seem in some sort to degrade the subject. I retain the picture because of its supposed truth.
Portia, as you will believe, is full of wonder and sorrow at these things. Soon after my library had received its last additions, my mother came to see what she had already heard of so much. As she entered the apartment, I was sitting in my accustomed seat, with Julia at my side, and both of us gazing in admiration at the figures I have just described. We were both too much engrossed to notice the entrance of Portia, our first warning of her presence being her hand laid upon my head. We rose and placed her between us.
'My son,' said she, looking intently as she spoke upon the statues before us, 'what strange looking figures are these? That upon my left might serve for Jupiter, but for the roll and the stylus. And why place you beings of character so opposite, as these appear to have been, side by side? This other upon my right--ah, how beautiful it is! What mildness in those eyes, and what a divine repose over the form, which no event, not the downfall of a kingdom nor its loss, would seem capable to disturb. Is it the peace loving Numa?'
'Not so,' said Julia; 'there stands Numa, leaning on the sacred shield, from the centre of which beams the countenance of the divine Egeria.'
'Yes, I see it,' replied Portia; and rising from her seat, she stood gazing round the apartment, examining its various appointments. When her eye had sought out the several objects, and dwelt upon them a moment, she said, in tones somewhat reproachful, as much so as it is in her nature to assume:
'Where, Lucius, are the gods of Rome? Do those who have, through so many ages, watched over our country, and guarded our house, deserve no honor at your hands? Does not gratitude requir