Mr. Britling Sees It Through, page 109 by H.G. Wells
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ersonal Mr. Britling would be thinking how unsatisfactorily his universe was going on, the whole mental process had a likeness to some complex piece of orchestral music wherein the organ deplored the melancholy destinies of the race while the piccolo lamented the secret trouble of Mrs. Harrowdean; the big drum thundered at the Irish politicians, and all the violins bewailed the intellectual laxity of the university system. Meanwhile the trumpets prophesied wars and disasters, the cymbals ever and again inserted a clashing jar about the fatal delay in the automobile insurance, while the triangle broke into a plangent solo on the topic of a certain rotten gate-post he always forgot in the daytime, and how in consequence the cows from the glebe farm got into the garden and ate Mrs. Britling's carnations.
Time after time he had promised to see to that gate-post....
The organ motif battled its way to complete predominance. The lesser themes were drowned or absorbed. Mr. Britling returned from the rôle of an incompetent automobilist to the rôle of a soul naked in space and time wrestling with giant questions. These cosmic solicitudes, it may be, are the last penalty of irreligion. Was Huxley right, and was all humanity, even as Mr. Britling, a careless, fitful thing, playing a tragically hopeless game, thinking too slightly, moving too quickly, against a relentless antagonist?
Or is the whole thing just witless, accidentally cruel perhaps, but not malignant? Or is it wise, and merely refusing to pamper us? Is there somewhere in the immensities some responsive kindliness, some faint hope of toleration and assistance, something sensibly on our side against death and mechanical cruelty? If so, it certainly refuses to pamper us.... But if the whole thing is cruel, perhaps also it is witless and will-less? One cannot imagine the ruler of everything a devil--that would be silly. So if at the worst it is inanimate then anyhow we have our poor wills and our poor wits to pit against it.