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ng pot plants, that were arranged in the form of a pyramid. The dome overarching this, was divided into three sections; the lower frescoed, the one above it filled with Etruscan designs in stained glass; the upper, formed of white ground glass sprinkled with gilt stars representing constellations, was so constructed, that it could be opened outward in panels, and thus admit the fresh air.
On the east side of this atrium, Leo's bed-room connected with that occupied by Miss Patty in the old house; and opposite, on the west, was a large square Pompeian library, with dark red dado, daintily frescoed panels, and richly tinted glowing frieze. At the end of this apartment, and concealed by purple velvet curtains lined with rose silk, an arch opened into a small semi-circular chapel or oratory, lighted by stained glass windows, whose brilliant hues fell on a marble altar upheld by two kneeling figures; and here lay the family Bible of Leo's great-grandfather, Duncan Gordon, with tall bronze candelabra on each side, holding wax candles. At the right of two marble steps that led to the altar, was spread a rug, and upon this stood an ebony reading-desk where a prayer-book rested. Filling a niche in the wall on the left side, the gilded pipes of an organ rose to meet a marble console that supported a Greek cross.
In order to secure an unobstructed vista from the front door, that portion of the building which corresponded to the ancient tablinum, was used merely as an aviary, where handsome brass cages of various shapes showed through their burnished wires snowy cockatoos, gaudy paroquets, green and gold canaries, flaming red and vivid blue birds, and one huge white owl, whose favorite perch when allowed his freedom, was a bronze Pallas on a projecting bracket.
Conspicuous among these, was a peculiar cage made of tortoise shell, ivory and silver wire, which Leo had assigned to a scarlet-crested, crimson-throated Australian cockatoo. Beyond this undraped rear vestibule stretched the peristyle, a parallelog