200
e deeper shadows. As they passed, the old shepherd, scholar and poet stood with bowed, uncovered head. When they were gone and their low voices were no longer heard, he said aloud, "What God hath joined; what God hath joined."
And this way runs the trail that lies along the higher, sunlit hills where those who journey see afar and the light lingers even when the day is done.
CHAPTER XLV.
SOME YEARS LATER.
A wandering artist, searching for new fields, found his way into the Ozark country. One day, as he painted in the hills, a flock of sheep came over the ridge through a low gap, and worked slowly along the mountain side. A few moments later, the worker at the easel lifted his eyes from the canvas to find himself regarded by an old man in the dress of a native.
"Hello, uncle. Fine day," said the artist shortly, his eyes again upon his picture.
"The God of these hills gives us many such, young sir, and all His days are good."
The painter's hand paused between palette and canvas, and his face was turned toward the speaker in wonder. Every word was perfect in accent of the highest culture, and the deep musical tone of the voice was remarkable in one with the speaker's snowy hair and beard. The young man arose to his feet. "I beg your pardon, sir. I thought--" He hesitated, as he again took in the rude dress of the other. The brown eyes, under their white shaggy brows, lighted with good nature. "You mean, young sir, that you did not think. 'Tis the privilege of youth; make the most of it. Very soon old age will rob you of your freedom, and force you to think, whether you will or no. Your greeting under the circumstance is surely excusable. It is I who should beg pardon, for I have interrupted your study, and I have no excuse; neither my youth nor my occupation will plead for me."
The charm of his voice and manner were irresistible. The painter stepped forward with outstretched hand, "Indeed,