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tained at the Imperial Club. Muffat, who did not play, expressed great astonishment, but Vandeuvres smilingly alluded to his imminent ruin, about which Paris was already talking. The kind of death you chose did not much matter, he averred; the great thing was to die handsomely. For some time past Nana had noticed that he was nervous and had a sharp downward droop of the mouth and a fitful gleam in the depths of his clear eyes. But he retained his haughty aristocratic manner and the delicate elegance of his impoverished race, and as yet these strange manifestations were only, so to speak, momentary fits of vertigo overcoming a brain already sapped by play and by debauchery. One night as he lay beside her he had frightened her with a dreadful story. He had told her he contemplated shutting himself up in his stable and setting fire to himself and his horses at such time as he should have devoured all his substance. His only hope at that period was a horse, Lusignan by name, which he was training for the Prix de Paris. He was living on this horse, which was the sole stay of his shaken credit, and whenever Nana grew exacting he would put her off till June and to the probability of Lusignan's winning.
"Bah! He may very likely lose," she said merrily, "since he's going to clear them all out at the races."
By way of reply he contented himself by smiling a thin, mysterious smile. Then carelessly:
"By the by, I've taken the liberty of giving your name to my outsider, the filly. Nana, Nana--that sounds well. You're not vexed?"
"Vexed, why?" she said in a state of inward ecstasy.
The conversation continued, and same mention was made of an execution shortly to take place. The young woman said she was burning to go to it when Satin appeared at the dressing-room door and called her in tones of entreaty. She got up at once and left the gentlemen lolling lazily about, while they finished their cigars and discussed the grave question as to how far a murderer subject to chronic alcoholism is respo