The literary work of Algernon Blackwood (1869-1951) was highly respected by H. P. Lovecraft who wrote, "He is the one absolute and unquestioned master of weird atmosphere."
Jimbo is Blackwood's first novel and is reminiscent of the style of Lord Dunsany. In this tale, a young boy is badly injured and he finds himself in a sort of world between life and death centered on The Empty House with its residents, the bogeyman Fright and the children he has trapped in the past.
I am a big fan of Algernon Blackwood (1869-1951) especially after being so moved by his short story, The Willows which I consider one of the best horror tales ever written.
The Empty House and Other Ghost Stories was Blackwood’s first collection of short stories (I respectfully disagree with ManyBooks. This collection was published in 1906, not 1916) when the author was 37 years old. Though lacking some of the finesse he developed later in his career and suffering from very abrupt endings, the collection is more than just ghost stories tackling themes such as a murder mystery, demonic possession, and an intriguing take on lycanthropy.
The stories in order are:
Alice Gerstenberg was a prolific Chicago playwright, Alice in Wonderland being one of her first works.
Actually, the play is a mishmash of Wonderland and Through the Looking Glass and characters from both stories pop in and out of the narrative which for this reader was distracting and created to jarring a dissonance for one who knows the original source material very well.
It would have been interesting to see how Gerstenberg worked out the logistics of the play as there are several special effects that are described, but there are no actual notes to reveal how they were pulled off (such as the Cheshire Cat).
All in all, reading the play is a quick, quite diversion to pass an hour, but nothing memorable.
C. Alan Loewen
I confess that this literary essay leaves me slightly confused. Though the author has a deep respect for Arthur Machen and his very impressive body of literary work, I leave this essay wondering if the author believes that Machen was more into promoting evil than good, or demonstrating that evil was more powerful than good.
I cannot deny that the author's main thesis that ecstasy can come from both holy and unholy sources, but to allude that Machen prized unholy ecstasy over holy ecstasy seems to stretch at least my understanding of his stories.
I will leave it to other reviewers to more accurately critique the main point of the short literary essay.
C. Alan Loewen
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