More interesting for its concepts than its characters (in fact, the most engaging personality in the story is the immature AI, Snookums). However, there are enough original ideas here to make it a worthwhile read.
Truly a nasty piece of work. If you enjoy pre-WWII pulp sf, you learn to expect a certain amount of casual racism and some occasional xenophobia, but this is the first time I've seen quite such a blatant two-fer of villainy: both a sinister Oriental and a brutal, gorilla-like African. And naturally, they both lust after the nubile young white woman. The story culminates in an act of genocide, leaving a devastated Earth to be re-populated by a handful of WASPs. Might have some interest for a student of post-apocalyptic literature, or of the darker side of the 1930s American psyche, otherwise, don't waste your time.
One of the weaker books in the series, the narrative follows the crew of the Polaris as they're given their most important assignment yet: shepherding an enormous fleet of spaceships sent out to colonize a new planet. Furthermore, once they arrive at Roald, they'll be responsible for supervising the construction of the colony.
The author maintains the tension fairly well up until they reach the new world, but once there, the story becomes little more than a standard horse opera, complete with corrupt town boss and dirty dealing over a fabulously rich deposit of gold ... er, I mean: uranium.
Mildly entertaining, but the other books in the series are better.
An outstanding science fantasy by Henry Kuttner and (probably) C. L. Moore, I think this stands with Vintage Season as some of their very best work.
Edward Bond, a pilot recovering from wounds received in the war, is drawn by the needfire to a parallel Earth, where the Sun is a swollen red giant, sorcery is real and strange mutations have made a reality of ancient legends. But is he truly Bond, or is he Ganelon, a cruel, arrogant warlock who with the rest of his Coven rules this "time-variant" of our world?
The witches who drew Bond/Ganelon back to the Dark World -- the beautiful scarlet witch Medea, and the yellow-eyed shape-shifter Matholch -- have very definite plans for him: with his leadership, they expect to exterminate the rebels who've lately risen to end the rule of the Coven.
And who -- according to Medea --played a nasty trick on Ganelon, by opening a door to our Earth and substituting him for his twin, the "real" Edward Bond, at the moment his plane crashed. To add insult to injury, his twin is now leading the rebels in their fight against the Coven.
Although the Coven has finally found and brought this man whom they believe to be Ganelon back to the Dark World, he has only the vaguest memories of his past life there. And to further complicate matters, there are plotters within the Coven, who in his present confusion would use him as a pawn for their own ends.
And who or what is the evil, enigmatic Llyr, the source of their power, waiting for him at Caer Llyr behind a Window into an even weirder space-time?
I've gone back and re-read this book every few years since I first encountered it as a teenager, at the end of the 60s. In fact, I still have that book, an old Ace paperback, the very same edition whose cover appears at the top of this page. Each time I find something new in it to admire, and to make me regret all over again Kuttner's death at such a tragically early age.
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