Unlike most famous artists of the past, Giorgione has not yet found a modern biographer. The whole trend of recent criticism has, in his case, been to destroy not to fulfil. Yet signs are not wanting that the disintegrating process is at an end, and that we have reached the point where reconstruction may be attempted. The discovery of documents and the recovery of lost pictures in the last few years have increased the available material for a more comprehensive study of the artist, and the time has come when the divergent results arrived at by independent modern inquirers may be systematically arranged, and a reconciliation of apparently conflicting views attempted on a psychological basis.
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