Here is a woman who cries out with magnificent impressive sincerity against the fallacy of the maternal instinct—the "call of the blood"—against the exclusiveness of love; who knows and asserts that death kills only the dead, and not those who are left behind; who recreates in new forms the law and the creed of the relations between man and woman, motherhood, and suffering. And this new expression of woman—a new expression, therefore, of the whole of life—this striking gospel, young and strong, which overcomes artificial, unnatural ideas, resounds at the very time when woman is at last entering humanity and is preparing to change her rôle of breeder of children and handmaid in common.
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