A Lebanese, Italian girl from Sydney Australia blazes her way through men and money to become a significant figure in LMLA-ink’s rise from the streets to story tellers. To offset her hedonistic ways, she has her long time friend; a Scandinavian a designer who herself is worthy of the limelight, but is forever in her wake. Things change dramatically when the leader of the creative coop who freed John Lazoo from his murder charge, meets and falls for the designer around the same time he is forced to take her friend as his business partner. The story is set in and amongst John Reyer Afamasaga’s never-ending saga, this installment; spanning decades; from the 80’s through to the near future in the year 2020. In which reality morphs with the surreal where humans like us are entities. Using childlike purity this time; he paints another picture of love, yet again.
tails. By the way, how is that big queen?"
Lavenda runs through their forty-minute phone call in her head as she prepares herself in the mirror for another meeting with the entrepreneur.
This one is eight hours after their first one, and it will take place at the swank, swank, swank New York Restaurant. The place where Lazoo first met Hariss Clariss, as the story goes. She mentioned it in passing to Rocol, but didn't want to seem to be having too much fun, while her friend was going through a rough patch.
As she decides which pair of heels to wear with her black trousers--the ones she had already sold two pairs of to a famous name, to go with another one of her sold creations, the plain white cotton extra low cut v-neck t-shirt--the story Rocol told her on the phone comes to mind. The story from back in the day involved her, Samuel, a drug thief and a famous rock and roll Superstar, who had tragically taken his own life just the year before.
Lavenda pulls her hair back with both ha