d; in fact, it's the next place to Chetwood, where I got in at."
Cyril Waring looked up with a half-guilty smile as embarrassed as her own.
"Oh yes," he said quietly. "I knew that quite well. I'm down here often. It's half-way between Chetwood and Warnworth I'm painting. But I thought--well, if you'll excuse me saying it, I thought I was so comfortable and so happy where I was, that I might just as well go on a station or two more, and then pay the difference, and take the next train back to Warnworth. You see," he added, after a pause, with a still more apologetic and penitent air, "I saw you were so interested in--well, in snakes, you know, and pictures."
Gentle as he was, and courteous, and perfectly frank with her, Elma, nevertheless, felt really half inclined to be angry at this queer avowal. That is to say, at least, she knew it was her bounden duty, as an English lady, to seem so; and she seemed so accordingly with most Britannic severity. She drew herself up in a very stiff style,
Excellent story. Twin brothers, not truly illegitimate but lost in the maze of the life of their father's second marriage. Deceit of a "banker"... trials and tribulations in the era. Very well spun characters and plotline including English "entailments" surrounding inheritances. Old old stories - but as new as today at the same time. A great read the whole way through.
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