The tragic history of Harold's fall; descriptions of the battles of Stamford Bridge and Hastings and of English life in the eleventh century.
ime with a care as scrupulous, as if intending to write, not a fiction but a history. And having formed the best judgment I could of the events and characters of the age, I adhered faithfully to what, as an Historian, I should have held to be the true course and true causes of the great political events, and the essential attributes of the principal agents. Solely in that inward life which, not only as apart from the more public and historical, but which, as almost wholly unknown, becomes the fair domain of the poet, did I claim the legitimate privileges of fiction, and even here I employed the agency of the passions only so far as they served to illustrate what I believed to be the genuine natures of the beings who had actually lived, and to restore the warmth of the human heart to the images recalled from the grave.
Thus, even had I the gifts of my most illustrious predecessors, I should be precluded the use of many of the more brilliant. I shut myself out from the wider scope permitted to their fanc
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