all' Università di Zurigo. Lugano, 1834.' The same text has been again reprinted at Turin, in 1854, by Alessandro d'Ancona, together with some of Campanella's minor works and an essay on his life and writings. This third edition professes to have improved Orelli's punctuation and to have rectified his readings. But it still leaves much to be desired on the score of careful editorship. Neither Orelli nor D'Ancona has done much to clear up the difficulties of the poems--difficulties in many cases obviously due to misprints and errors of the first transcriber; while in one or two instances they allow patent blunders to pass uncorrected. In the sonnet entitled 'A Dio' (D'Ancona, vol. i. p. 102), for example, bocca_ stands for _buca in a place where sense and rhyme alike demand the restitution of the right word.
At no time could the book have hoped for many readers. Least of all would it have found them among the Italians of the seventeenth and eighteenth centuries, to whom its energetic lang