resented in the labyrinth of an extensive salt-marsh was lively and entertaining. The picturesque dress of the workmen, with their clean white frocks and linen tights; the horses in great numbers mantled in their showy salt-bags, winding their way on the narrow platforms, moving in all directions, turning now to the right hand and now to the left, doubling almost numberless angles, here advancing and again retreating, often going two leagues to make the distance of one, maintaining order in apparent confusion, altogether presented to the distant observer the aspect of a grand equestrian masquerade.
The extent of the works and the labor and capital invested in them were doubtless large for that period. A contemporary of Champlain informs us that the wood employed in the construction of the works, in the form of gigantic sluices, bridges, beam-partitions, and sieves, was so vast in quantity that, if it were destroyed, the forests of Guienne would not suffice to replace it. He also adds that no one who had se