some ten years before, after his arrival in Hampton. The building, indeed, was symbolic of a decadent and bewildered Puritanism in its pathetic attempt to keep abreast with the age, to compromise with anarchy, merely achieving a nondescript medley of rounded, knob-like towers covered with mulberry-stained shingles. And the minister was sensational and dramatic. He looked like an actor, he aroused in Edward Bumpus an inherent prejudice that condemned the stage. Half a block from this tabernacle stood a Roman Catholic Church, prosperous, brazen, serene, flaunting an eternal permanence amidst the chaos which had succeeded permanence!
There were, to be sure, other Protestant churches where Edward Bumpus and his wife might have gone. One in particular, which he passed on his way to the mill, with its terraced steeple and classic facade, preserved all the outward semblance of the old Order that once had seemed so enduring and secure. He hesitated to join the decorous and dwindling congregation,--the remains
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