ay seem sometimes to be arrogant in the mere display of power, yet their beauty lies in the sudden change from arrogance to humility. The arrogance itself bows down and worships; the very muscle and material force obey a spirit not their own. They are lion-tamers, and they themselves are the lions; out of the strong comes forth sweetness, and it is all the sweeter for the strength that is poured into it and subdued by it. What is the difference, as of different worlds, between Rubens at his best and Tintoret at his best? This: that Rubens always seems to be uplifted by his own power, whereas Tintoret has most power when he forgets it in wonder. When he bows down all his turbulence in worship, then he is most strong. Rubens, in the "Descent from the Cross," is still the supreme drawing-master; and painters flocking to him for lessons pay homage to him. But, in his "Crucifixion," it is Tintoret himself who pays homage, and we forget the master in the theme. We may say of Rubens's art, in a new sense, "C'est mag
Cara Devon has always suffered curiosity and im... Read more
When the economic downturn ends Matty Cruz’s co... Read more
A telekinetic teenager. A telepathic child. A p... Read more
A century after an apocalyptic war reduces all... Read more
See it as donating a moment of your social media time, every little thing helps us improve and stay online.
The list of books below is based on the weekly downloads by our users regardless of eReader device or file format.
See more popular titles from this genre.