A Text-Book of the History of Painting

to Typhon, the God of Evil, during the long wait in the tomb for the judgment-day. The belief that the spirit rested in the body until finally transported to the aaln fields (the Islands of the Blest, afterward adopted by the Greeks) was one reason for the careful preservation of the body by mummifying processes. Life itself was not more important than death. Hence the imposing ceremonies of the funeral and burial, the elaborate richness of the tomb and its wall paintings. Perhaps the first Egyptian art arose through religious observance, and certainly the first known to us was sepulchral.

ART MOTIVES: The centre of the Egyptian system was the monarch and his supposed relatives, the gods. They arrogated to themselves the chief thought of life, and the aim of the great bulk of the art was to glorify monarchy or deity. The massive buildings, still standing to-day in ruins, were built as the dwelling-places of kings or the sanctuaries of gods. The towers symbolized deity, the sculptures and paintings rec