With an essay on the life and works of the author by John Nisbet.
ibbon to do the choir carving in the new St. Paul's Cathedral.
Each of their Diaries teems with reference to the other. Pepys asked Evelyn to sit to Kneller for his portrait which he desired for 'reasons I had (founded upon gratitude, affection, and esteeme) to covet that in effigie which I most truly value in the original.' This refers to the well-known portrait, now at Wotton, that has been copied and engraved.
It appears to have been begun in October, 1685, but it was not till July, 1689, that the commission was actually completed. The portrait exhibits the face of an elderly man distinctly of a high-strung and nervous temperament, though not quite to the extent of being 'sicklied oer with the pale caste of thought.' His right hand, too, which grasps his Sylva is one very characteristic of the nervous disposition. A bright, shrewd intellect, lofty thoughts, high motives, good resolves, and--last, tho' by no means least--a serene mind, the mens conscia recti which Pepys blunt
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