ath of his father Handel secured an engagement at the Hamburg opera-house, where he soon made his mark by the ability with which, on several occasions, he conducted rehearsals.
At the age of nineteen Handel received the offer of the Lübeck organ, on condition that he would marry the daughter of the retiring organist. He went down with his friend Mattheson, who it seems had been offered the same terms. They both returned, however, in single blessedness to Hamburg.
Though the Lübeck maiden had stirred no bad blood between them, musical rivalry did. A dispute in the theatre resulted in a duel. The only thing that saved. Handel's life was a great brass button that shivered his antagonist's point, when they were parted to become firm friends again.
While at Hamburg Handel's first two operas were composed, "Almira" and "Nero." Both of these were founded on dark tales of crime and sorrow, and, in spite of some beautiful airs and clever instrumentation, were musical failures, as might be expected.
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