ories high, with a sky-line that reflects the range of mountains under which Grasse nestles. Windows of different sizes, placed without symmetry or alignment, do not even harmonize with the roof above them. Probably there was originally a narrow house rising directly above the door of the Cheval Blanc. When the structure was widened, upper floors or single rooms were built on ad libitum. The windows give the clew to this evolution, for the wall has been plastered and whitewashed uniformly to the width of over a hundred feet, and there is only one entrance on the ground floor. Working out the staircases and floor levels is a puzzle for an architect. We did not even start to try to solve it. The Artist's interest was in the "subject," and mine in the story the building told of an age when man's individual needs influenced his life more strongly than they do now. We think of the progress of civilization in the terms of combination, organization, community interest, the centralized state. We have created
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