The attempt has been made in the following to give an idea of the charm and interest of the original text of the Wagner operas, of Wagner's extraordinary power and fertility as a dramatist. It is not critique or commentary, it is presentation, picture, narrative; it offers nothing that is not derived directly and exclusively from the Wagner libretti and scores.
lies Gurnemanz, "but, if you are of the chosen, you cannot fail to learn. And, see now! I believe I know who you are. No road leads through the land to the Grail, and no one could find the way except Itself guided him...." "I am scarcely moving," says the wondering boy, "yet it seems to me we have already gone a long way...."
And, indeed, the forest has been miraculously gliding past. It ends before a granite wall in which a great portal stands open. This gives entrance into ascending rocky galleries; sounds of clarions come stealing to the ear; church-bells are heard--and we are presently translated into the interior of the Castle of the Grail, the great domed hall.
Parsifal entering with Gurnemanz stops still beside the threshold, spell-bound in presence of all the lofty beauty: "Now watch with attention," his guide instructs him, before leaving him where he stands, "and let us see, if you are a simple soul and pure, what light shall be vouchsafed you."
The scene now enacting itself bef
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