ecome a full fledged painter, as is shown by the work he left in two Dominican churches of Cortona. There is reason to believe that when Angelico, an old man, was on his way to Rome to paint for the Pope, he gave, in exchange for the courtesies of the convent of Cortona to a traveller, some pictures of the Madonna which are still to be seen in the church of St. Dominic in Cortona.
The brotherhood was later recalled to Fiesole. Angelico must often have gone down to Florence and there have seen the work of his great contemporaries in art. Massaccio was the artist, above all others, who was attracting attention at this time. His work was the most accurate representation of real things that had yet been made by any artist in Italy. Fra Angelico must have seen his work and profited by it, too.
But he never forgot his early inspiration drawn from the hills and from the morning and evening skies, and so he went back, in spite of any small influence of the new art, to pore over the parchment page and to
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