om Greek, Latin, and old Italian writers, just as Virgil did in the case of Homer, Theocritus, Apollonius Rhodius, and others. There are, doubtless, instances in which a phrase is unconsciously reproduced by automatic memory, from an English poet. But I am less inclined than Mr Bradley to think that unconscious reminiscence is more common in Tennyson than in the poets generally. I have not closely examined Keats and Shelley, for example, to see how far they were influenced by unconscious memory. But Scott, confessedly, was apt to reproduce the phrases of others, and once unwittingly borrowed from a poem by the valet of one of his friends! I believe that many of the alleged borrowings in Tennyson are either no true parallels at all or are the unavoidable coincidences of expression which must inevitably occur. The poet himself stated, in a lively phrase, his opinion of the hunters after parallels, and I confess that I am much of his mind. They often remind me of Mr Punch's parody on an unfriendly review of Alex
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