A detective yarn that is a corker. Arsène Lupin in the greatest predicament of his career. Instead of the old masterful conqueror of men and circumstances against tremendous odds, we find him, until almost the final chapter, pitted against foemen worthy of his steel, who outwit him time and time again and involve him in a struggle for his very life!
eps on the left, a door opened and a head appeared, a pallid man's head, with terrified eyes.
"Help! Murder!" shouted the man.
And he rushed back into the room.
"It's Leonard, the valet!" cried Gilbert.
"If he makes a fuss, I'll out him," growled Vaucheray.
"You'll jolly well do nothing of the sort, do you hear, Vaucheray?" said Lupin, peremptorily. And he darted off in pursuit of the servant. He first went through a dining-room, where he saw a lamp still lit, with plates and a bottle around it, and he found Leonard at the further end of a pantry, making vain efforts to open the window:
"Don't move, sportie! No kid! Ah, the brute!"
He had thrown himself flat on the floor, on seeing Leonard raise his arm at him. Three shots were fired in the dusk of the pantry; and then the valet came tumbling to the ground, seized by the legs by Lupin, who snatched his weapon from him and gripped him by the throat:
"Get out, you dirty brute!" he growled. "He very nearly did for me... Here, Vauche
French authors, especially of the era depicted, have rather bizarre notions of how society ought to operate, including the favoring of criminals over the forces of law. Crystal Stopper is one more example of this, and requires a great suspension of disbelief as well. I feel I did well by getting a third of the way into the story before giving up on LeBlanc.