I HAVE tried in this little volume to explain aesthetic preference, particularly as regards visible shapes, by the facts of mental science. But my explanation is addressed to readers in whom I have no right to expect a previous knowledge of psychology, particularly in its more modern developments. I have therefore based my explanation of the problems of aesthetics as much as possible upon mental facts familiar, or at all events easily intelligible, to the lay reader.
nt pasture for dairy-farming and water-power for both tramway and funicular, and where the necessary capital could be borrowed; and the other one hunted about for marks of stratification and upheaval, and ransacked his memory for historical data about the various tribes originally inhabiting that country.
"I suppose you're a painter and regretting you haven't brought your sketching materials?" said the scientific man, always interested in the causes of phenomena, even such trifling ones as a man remaining quiet before a landscape.
"I reckon you are one of those literary fellows, and are planning out where you can use up a description of this place"--corrected the rapid insight of the practical man, accustomed to weigh people's motives in case they may be turned to use.
"I am not a painter, and I'm not a writer"--exclaimed the third traveller, "and I thank Heaven I'm not! For if I were I might be trying to engineer a picture or to match adjectives, instead of merely enjoy