If this were a ponderous work of realism, such as the author has attempted to write, and will doubtless essay again, it would be perilous to dedicate it to the splendid assembly of young British writers, lest the critics search for Influences and Imitations. But since this is a flagrant excursion, a tale for people who still read Dickens and clip out spring poetry and love old people and children, it may safely confess the writer's strident admiration for Compton Mackenzie, Hugh Walpole, Oliver Onions, D. H. Lawrence, J. D. Beresford, Gilbert Cannan, Patrick MacGill, and their peers, whose novels are the histories of our contemporaneous Golden Age. Nor may these be mentioned without a yet more enthusiastic tribute to their master and teacher (he probably abominates being called either a master or a teacher), H. G. Wells.
y man, a prisoner of daily routine. He had to become free for freedom.
Laughingly, then bitterly, he rebuked himself for fear. And presently he was bespelled by the wonder of the unknown. Beyond the water through which they slid, black and smooth as polished basalt, he saw a lighthouse winking. From his steamer time-table he learned that it must be Great Gull Island light. Great Gull Island! It suggested to him thunderous cliffs with surf flung up on beetling rock, screaming gulls, and a smuggler on guard with menacing rifle. He lost his fear of fear; he ceased to think about his accustomed life of two aisles and the show-case of new models and the background of boxes and boxes and boxes of shoes--tokens of the drudgery that was ground into him like grit. The Father who worried was changing into the adventurous wanderer that henceforward he would be--for two weeks. He stretched out his short arms and breathed deeply of the night wind.
Half an hour later he was asleep. But not, it must be confess
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