in her disdain, he cries out impulsively:
"Burst, burst, poor heart, thou hast no longer hope!"
Even when re-moulding the familiar pastoral conceits, he makes the fancies his own and gives to them a unique touch and spirit. Mere conventions he rates at their proper value. His pen shall not "riot in pompous style." He claims a brighter aspect for his poetical devotion than his fellow-sonneteers manifest:
"No stars her; eyes....
.... but beams that clear the sight
Of him that seeks the true philosophy."
In spite of its defects, the lax structure of the sonnet-form, the obscurities and needless blurring, and the disappointing inequalities, _Phillis_ takes a high place among the sonnet-cycles, and must ever be dear to lovers of quiet, melodious verse, who have made themselves at home in the golden world of the pastoral poets and mislike not the country-carolling heard therein.
I that obscured have fled the scene of fame,