ficult work of art" of concentrating its various energies and fusing them into one balanced point of rhythmic harmony. This effort of contemplative tension is a "creative effort" similar to that which all artists are compelled to make. In addition to this aspect of what I call "creation," there also remains the fact that the individual soul modifies and changes that first half-real something which I name the objective mystery, until it becomes all the colours, shapes, sounds and so forth, produced by the impression upon the soul of all the other personalities brought into contract with it by the omnipresent personality of the universal ether.
The words "creation" and "creative" axe thus made descriptive in this book of the simple and undeniable fact that everything which the mind touches is modified and changed by the mind; and that ultimately the universe which any mind beholds is an universe half-created by the mood of the mind which beholds it. And since the mood of any mind which contemplates the u
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