The human being who thrills to the experience of beauty in nature and in art does not forever rest with that experience unquestioned. The day comes when he yearns to pierce the secret of his emotion, to discover what it is, and why, that has so stung him--to defend and to justify his transport to himself and to others. He seeks a reason for the faith that is in him. And so have arisen the speculative theories of the nature of beauty, on the one hand, and the studies of concrete beauty and our feelings about it, on the other.
way of defining Beauty which grounds it in general principles, while allowing it to reach the concrete case, is set forth in the essay on the Nature of Beauty. The following chapters aim to expand, to test, and to confirm this central theory, by showing, partly by the aid of the aforesaid special studies, how it accounts for our pleasure in pictures, music, and literature.
The whole field of beauty is thus brought under discussion; and therefore, though it nowhere seeks to be exhaustive in treatment, the book may fairly claim to be a more or less consistent and complete aesthetic theory, and hence to address itself to the student of aesthetics as well as to the general reader. The chapter on the Nature of Beauty, indeed, will doubtless be found by the latter somewhat technical, and should be omitted by all who definitely object to professional phraseology. The general conclusions of the book are sufficiently stated in the less abstract papers.
Of the essays which compose the following volume, the f
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