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Giotto and his works in Padua

An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel

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Author: John Ruskin
Language: English
Wordcount: 26,288 / 83 pg
Flesch-Kincaid Reading Ease: 54
LoC Category: ND
Downloads: 1,471
Added to site: 2006.05.12 13555

t doubt that Giotto drew the circle as a painter naturally would draw it; that is to say, that he set the vellum upright on the wall or panel before him, and then steadying his arm firmly against his side, drew the circular line with one sweeping but firm revolution of his hand, holding the brush long. Such a feat as this is completely possible to a well-disciplined painter's hand, but utterly impossible to any other; and the circle so drawn, was the most convincing proof Giotto could give of his decision of eye and perfectness of practice.

[Footnote 5: At least Lord Lindsay seems to consider the evidence collected by Förster on this subject conclusive. Christian Art, vol. ii. p. 168.]

Still, even when thus understood, there is much in the anecdote very curious. Here is a painter requested by the head of the Church to execute certain religious paintings, and the only qualification for the task of which he deigns to demonstrate his possession is executive skill. Nothing is said, and



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Brian Blose
Brian Blose is a software developer and army veteran who enjoys reading and writing fiction that contains flawed heroes, unreliable narrators and moral dilemmas. His book, The Participants, is no exception and had readers glued to the story until the very last page. As our author of the day, Blose chats about the Heinsenberg uncertainty principle, how TV shows from the 90s inspired this book and gives us some behind-the-scenes insights in the creation of The Participants.
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