The young actor was great....They didn't realize just how great until the night of THE PREMIERE.
acy and aliveness endless in its delicate ramifications of feeling. His characterization is unmarred by even the slightest hint of extraneous awareness and unaccompanied by the usual continual subliminal blur which is the mark of the receptorman's frantic deletion of the actor's sublevel, irrelevant thoughts. Either Mr. Rowe is fortunate to be blessed with a most superiorly skilled receptorman or he is gifted with an awesome ability to submerge his total being in the role he plays. In this feelie it is as if Mr. Rowe, the actor, dies and imparts only his life force to the character of the cocky youngster who comes fully alive without the slightest trace of the personality of Jason Rowe. In this debut performance young Rowe achieves the hitherto unattainable goal of completely displacing the feeliegoer's identity with that of the character he portrays. We expect great things from him for a talent such as his illumines the theater but once in a millennium. Thanks to Mr. Jason Rowe, the U-Live-It Corporation can
In the future moviegoers will receive films through electrodes that allow them to feel the emotions of the actors. This might be dangerous, so people are prescreened for the level of emotion they can handle. And, naturally, there are safety sensors to prevent any accidents.
A mildly interesting idea with good, but not great writing and characterizations.
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