unate, led her to make use of her son's talent, and she actually procured him an engagement, when he was hardly nine years old, in the band of a circus that had erected its temporary booths on the "Grand Sablon," and whose company consisted of an acrobat of conspicuous beauty, a particularly unpleasant dwarf named Molaro, four monkeys and a pony, the height of whose accomplishments it was to stand on three legs, though that might have been due to infirmity rather than art.
Gesa's orchestral duties consisted in supporting, along with an old flutist, the musical disorders of a narrow-chested, long-haired youth, who hammered waltzes and polkas on a tired old spinnet, while at the same time, as he confessed to little Gesa with a sigh, he had vainly longed all his life to be entrusted with the execution of a funeral march!
The circus gave its performances from two to four in the afternoon, and was always empty. While Gesa, behind the orchestra rails, fiddled his simple part mechanically, his childish
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